images tagged "complex-background"

nsfw

The ninth and last page of Afterhour Adjustments. The visual tone of the comic has changed to be a lot warmer. Pebble sits on the floor, supporting herself with her arms, wearing a comfy sweater-like top and shorts. She looks very focused as she holds a pen stylus with her right footpaw, trying to draw on a propped up tablet. Her left footpaw pressing backspace on a keyboard next to it. "I can't do much with my hooves, so for doing certain things I have to get... creative. As the list of things I could no longer do grew smaller, living with my new anatomy started to seem less and less unthinkable." On the next couple of panels, she's seen rubbing her snout with her hooves, blushing, then her blank crotch, it clearly feels very nice. "What definitely helped were some... unexpected benefits... I discovered along the way." Next, she's seen wearing bright yellow overalls and a face mask, waving to a pair of friends with a hoof. She looks happy, and so do her friends, who are standing in front of a "Critter Café". "Ironically, not having a mouth anymore makes social interactions a lot easier, since nobody expects me to talk. I noticed that this helps me feel more confident!". Now she's seen wearing a light green hoodie with short shorts, still with a face mask. She seems slightly embarrassed as she walks past a pizza restaurant, looking at it. "Sometimes I miss being able to taste certain things, but overall, not having to deal with worrying about eating is really nice.". On the next panel she's at home, just wearing a crop top. She's blushing, looking slightly shocked as she drops her yinglet mug that she was holding between her hooves. "I've always been very clumsy, it's nice to have a visible reason for it now. much do as to be able to, but somehow, I'm so much more comfortable like this!" On the last panel, she's seen looking at herself in the mirror in her apartment, all naked. She's blushing, holding up a hoof to her snout, looking very happy and comfortable with herself. "Despite it all... or maybe because of it? I'm the happiest I've ever been. Whatever you are, and wherever you may now be: Thank you, strange blue creature..!". Rascal is seen in the corner of the page, a hand up in the air, exclaiming "the end!"

Afterhour Adjustments // page 9
The eighth page of Afterhour Adjustments. Pebble sits up on her bed, letting out a huff, three dots above her head. She turns on the lamp by her bed by pressing a large button with a hoof. She's seen walking into her bathroom, opening the door by pressing down on the door lever with a hoof. She's looking down at the floor, sad. Next, a pov shot of her looking at herself in the mirror, seeing her blank mouthless snout for the first time. She examines it with a hoof, the hoof also visible in first person to the side of the panel. She looks sad about the whole thing. Narration follows: "The following days were the hardest. It took me a week to even be able to get myself to leave my apartment.". Next, she's seen sitting down in a doctor's office, the dotor holding up an xray of her skull and hooves, showing the permanence of her changes. She's wearing a dark hoodie and pants, one of her footpaws brushing against the other nervously, the tip of her tail swinging back and forth. She's wearing a face mask to conceal her lack of a mouth. "It wasn't until I saw a doctor that I fully understood the extent of the changes.. How permanent all of this was." On the next panel, she's seen in a short sleeve top, sitting at her desk, trying to type on a keyboard, all nervous about it. "Eventually, 1 accepted that there was no going back, and started learning to live with my new anatomy. It was... difficult."

Afterhour Adjustments // page 8
The seventh page of Afterhour Adjustments. Rascal is seen leaning forward, pointing towads pebble, looking manic. "no refunds, btw~". It then leans back in the air, its hands up showing that it's unbothered: "i literally can't, like, undo any of this, hehe~". It flies over pebble, its snout on pebble's hair, pebble looking terrified. "let me save you the rest of the trip home.. i'm sure you're eager to explore your gifts in private anyway~". With a snap of its fingers, Rascal teleports pebble home, only her pants remaining on the ground. Rascal, floating in the air carefree:" hope you had fun! i sure did~". On the next panel, pebble is seen popping in above her bed, falling down, hitting it with a thud. "ow..." she thinks to herself. She's seen laying down on her back on her bed in a dark bedroom, rays of blue light shining in through the blinds. Her newly blank crotch is exposed as she's feeling her snout with her hooves. "What am i going to do.." she thinks to herself

Afterhour Adjustments // page 7

nsfw

The sixth page of Afterhour Adjustments. Rascal pulls down pebble's pants, looking very mischievous about it. Her dick springs up, already hard, she looks very embarrassed about it. Rascal places its hands under her balls, holding onto them: "don't worry, i already know exactly how much you're enjoying this.. however...". It slides its hand upwards, seemingly swiping pebble's dick away, looking proud of itself. "Oops!~". It flies above pebble, floating in the air, looking down at her all proud of itself. "There we go! All done~". Pebble raises its hand hooves, looking down at her now blank and smooth crotch all concerned. On the next panel, she looks away, blushing, very embarrassed, covering her crotch with her hooves. Rascal looks at her like she's doing something silly "awhhh~ there's nothing to be embarrassed about! Quite literally :3". A pov shot of pebble looking down at herself, her blank snout visible to the side of the panel, her hooves in view. "This can't be happening this isn't real there's no way any of this is actually going on I'm imagining this I must be oh god what am I going to do" text can be seen partially concealed by pebble's hoof and the sides of the panel, showing pebble's racing thoughts.

Afterhour Adjustments // page 6
The fifth page of Afterhour Adjustments. Rascal, floating in the air, holds pebble by her wrists, its face uncomfortably close to pebble's. rasccal looks excited while pebble looks worried. "oh, that?" rascal asks. rascal pushes its snout up against pebble's, the lighting gets really dramatic, rascal's grin growing wider and pebble's expression more worried as rascal says "it's about to be the least of your worries~". rascal places its hands over pebble's, concealing them, then pulls them away with the force of its whole body, pushing pebble away in the process. pebble looks shocked as rascal's hands pull away, revealing pebble's hands have been turned into hooves. pebble's showing standing, looking really concerned as it looks at its hand hooves, they're still dripping a little from being transformed. rascal, floating upside down, looking really proud of itself again, goes "there! much better~ wouldn't you agree? much better suited for a clumsy thing like you~". rascal, popping out of frame, appears to have gotten an idea. "oh! before i forget..." it speaks to pebble as it floats down, placing its hands on the sides of pebble's pants, grabbing onto them, looking all teasy. pebble's hooves are seen above it, lifted out of the way.

Afterhour Adjustments // page 5
a drawing of pebble, waist up, looking at the viewer longingly. she's standing still against a backdrop of a blue sky with fluffy clouds. both of her eyes are visible, her glasses overlaid over her snout in a way that doesn't make sense - a deviation from my usual style. she's not wearing any clothes. the drawing has a crt-like filter applied over it

ethereal
The fourth page of Afterhour Adjustments. pebble is lifted off the ground with strange blue magic, appearing worried. laid back rascal casually floats in front of her, not appearing worried whatsoever. "please let me go?? I don't know what this is about but I really have to go now!" (she continues rambling). Rascal responds with "heh~ you talk too much!" placing both its hands on the front of pebble's snout, catching her off guard, it conitinues "no more of that~ ever... AGAIN!" as it says the last bit it pulls back, seemingly turning pebble's snout into goop, parts of it flying off of pebble's face, she appears pretty shocked by it. the blue magic dissipates and she's dropped to the ground. she appears panicked as she grabs onto her snout, feeling it, noticing that her mouth is gone! still panicked, she points to her snout, waving her other hand around, looking at rascal, thinking "What did you do to me?!?!"

Afterhour Adjustments // page 4
The third page of Afterhour Adjustments. pebble, looking away from the strange critter, seeming worried, responds to it: "I'm sorry I really need to get-". It's interrupted by the critter, who responds with "shh~", placing one hand on pebble's hair, ruffling it, the other placing a finger on the front of its snout, shushing it. The critter looks mischievous, its tail going past the border of the page. It shrugs, looking care free, responding with "what's the rush? you are off tomorrow~". AS it says this it flies behind pebble, placing an arm over one of its shoulder, looking at its face over the other. Pebble's looking down at the ground, worried. "I'm not interested sorr-" pebble responds as it starts walking away quickly, before its stopped by the strange critter, snapping its fingers, floating above pebble. Strange blue aura appears around pebble, stopping it in place. pebble looks terrified as the critter responds with "how rude~"

Afterhour Adjustments // page 3
a watercolor drawing of a polar bear building a snowman. the lower 2 parts of the snowman body are finished, while the head, appearing like a bear head, is next to it on the ground. in the background mountains can be seen. the sky and the lighting of the scene suggests the sun is setting. the polar bear appears happy.

a bear!
The second page of Afterhour Adjustments. pebble continues down the dark city street. A shadowy figure can be seen running past her in the foreground. pebble's ears perk up, and she looks behind herself confused. she looks ahead, really worried, thinking to herself "I should really get go-". "hey~" - She's cut off by a strange blue critter appearing in front of her. The critter is lanky and cartoon-ish looking, with a large grin on its face, a :3 face on a tag style earring on one of its long upward-pointing ears, a solid metal collar on its neck with a chain attached to it, and 6 belly nipples. It's staring right at pebble, looking very interested. On the next panel, it's floating up in a relaxed pose, its arms behind its head, its expression unbothered, carefree. its tail is seen behind it, its end split in two. Its floating outside of the actual panel, not obeying by its rules. "all alone on a friday night?" it says, each word written in a different font, its text not constrained by speech bubbles like pebble's. pebble looks shocked as it appears to float above it, looking down at her, reaching out with its hand, which has a shackle on it with a chain attached to it. "seriously tho, you shouldn't be out here all alone! it gets scaaaary at night~", it tells her.

Afterhour Adjustments // page 2
a watercolor drawing of pebble on a small square. she's standing in a yellow field with a blue sky in the background, she's wearing blue pants, a yellow jacket and a red scarf. she's standing still, looking up at the sky longingly

watercolor practice
The first page of Afterhour Adjustments. Pebble is seen walking down a dark city street, only lit by streetlamps. It appears to be a sort of industrial area. A closeup of pebble, then her looking at the city in the distance, with the following narration: "I hated having to work so late.. At least the city was peaceful at night.. It felt peaceful, anyway.". Pebble looking behind her at the dimly lit street, appearing worried, now in a more residential area. Then another shot of her walking down the same street, this time from farther out with her viewed from the back, walking away from the camera. Narration: "I heard some scary things about what goes on out here at night.. but I figured most of that had to be made up. I didn't have much farther to go

Afterhour Adjustments // page 1
The cover page for the Afterhour Adjustments comic. At the top it says Afterhour Adjustments in big angled text, the O is stylized like a clock and the D is stylized like a hoof. Underneath, a large shadowy figure looms over pebble as it walks down a dark city street lit by streetlamps. Pebble looks worried, she's wearing a hoodie and jeans, her hands in her hoodie pocket. She has a mouth, which she doesn't usually have. At the bottom, it says 18+

Afterhour Adjustments // page 0
a poster-like artwork of an anthro worm on a string floating freely in a space-like void, looking at the viewer. the worm is gray in color, very long and noodly. it has (horse) hooved legs and it's wearing a loose yellow hoodie, with its sleeves swaying freely as it doesn't have arms. it's surrounded by artsy visual and text elements, with the main text being "be the shape u want to be". it also says "unleash ur inner freak" and "no strings / no shame".

// SHAPE
a drawn underwater scene, taking place on the ocean floor, between lots of seaweed. lots of differently colored tropical fish swim by as pebble and its big dog of an owner sit in an air bubble, watching the fish. pebble is in its seal mermaid form, with its rear half replaced with a seal tail and flippers. it's supporting its bulky blank snout with its forehooves as she lays on her belly, looking up. the big dog is sitting next to her, leaning to the side, looking up, reaching outside of the bubble with one handpaw. next to them, swimming in the water is a brown poodle dog, with his mouth open, attempting to catch one of the fish.

fishwatching
a portrait of pebble wearing cozy winter clothes. she's wearing a beanie hat, a long scarf, a yellow jacket. her snout is exposed to the cold on this version. she's looking at the viewer longingly. the lighting is very atmospheric, snow can be seen falling, blurred in the foreground. in the background is a bus stop, lit by a street lamp and an advertisement on its side, with a bus stopped in front of it. in the far background are prefab apartment blocks.

wintertime (snockless)
a portrait of pebble wearing cozy winter clothes. she's wearing a beanie hat, a long scarf, a yellow jacket and a sock on her snout to keep her warm. she's looking at the viewer longingly. the lighting is very atmospheric, snow can be seen falling, blurred in the foreground. in the background is a bus stop, lit by a street lamp and an advertisement on its side, with a bus stopped in front of it. in the far background are prefab apartment blocks.

wintertime
a small pale creature with sharp pointy ears and a large tail, wearing a long droopy orange cloak covering most of its body, seen in an iterator chamber from rain world, which is a large cubical chamber with its walls covered in tiles. the slugcat is attached to a mechanical arm much larger than it via its spine, many loose wires coming out of its back, connected by a larger wire at the bottom of the image. the slugcat looks very mentally unstable, staring at the viewer, it's clearly going through a lot. in front of it float several white neuron flies, while behind it is an iterator halo, a circle with many spokes. it has the mark of communication, which is represented as a white square above its head.

transcendence
a digital sketch of a rugged truck on a cliff overlooking a valley full of various kinds of machines, satellite dishes and radio towers, with large setting sun in the background. the truck has three sets of wheels, is about as long as a bus, and it appears to be designed for off road use. its front is sloped from both the top and the bottom. it has a few windows on its side, with one large split door in the middle and one small door at the front.

concept sketch
a drawing of spearmaster from rain world standing on a barebones structure high up in the sky. spearmaster is holding its data pearl in one paw and a spear in the other. it’s looking off in the distance. in the background are fluffy clouds cut through by iterator structures and transmission towers. it seems like they’re very high up.

altitude
a low resolution / pixelated artwork of five pebbles. he’s seen in his chamber, his hands on the sides of his face, his eyes wide open, his expression blank. the background is dark, the walls of his chamber are covered in holograms hinting at the poor state of his structure.

a repeating pattern
pebble's fursona can be seen walking through an abandoned, overgrown and rusted canal with two large vent looking things behind it. her prosthetics look worn, her clothes torn, her ear is missing a little chunk and her horn had its tip chipped off. one of her arms is a robotic looking arm made from scrap metal, it has many stickers on it. she's wearing a flower crown. this is an alternate version without a depth of field effect.

structure (alt)
pebble's fursona can be seen walking through an abandoned, overgrown and rusted canal with two large vent looking things behind it. her prosthetics look worn, her clothes torn, her ear is missing a little chunk and her horn had its tip chipped off. one of her arms is a robotic looking arm made from scrap metal, it has many stickers on it. she's wearing a flower crown.

structure
a two color digital sketch of spearmaster from rain world climbing a pole, throwing one of its spears towards a popcorn plant that's growing from an otherwise unreachanble cliff. the background is a somewhat detailed rain world environment reminiscent of outskirts.

getting food
a drawing of an anthro seal character with a seal tail for legs (kinda mermaid-like) sitting on a rock, looking happy. it's surrounded by open water. the weather is somewhat cloudy, the clouds are very detailed. this version shows their right eye through their hair.

carol
a drawing of an anthro seal character with a seal tail for legs (kinda mermaid-like) sitting on a rock, looking happy. it's surrounded by open water. the weather is somewhat cloudy, the clouds are very detailed.

carol (alt)
a photo of two pages from pebble's tiny sketchbook. on the first one spearmaster from rain world is running away from a lizard, throwing one of its spears behind itself towards it. it looks angry. the background suggests that they're in underhang. on the second page spearmaster can be seen leaning against a locked karma gate, looking very annoyed. it doesn't have enough karma to go through. the karma gate is implied to be the one from underhang into five pebbles.

sketchbook: spearmaster
a digital drawing of a sligtly yellow slugcat, standing surrounded by a lot of plants, looking up and away from the camera, blushing. it's wearing big round glasses. the style is very similar to the actual game's artstyle.

pelcat
forest, a shiny zigzagoon, walking along railroad tracks on a rusty bridge. it seems happy. in the background there's a river going under the bridge, and a dense forest behind it. the atmosphere is calm, the sun appears to be setting.

along the tracks
a drawing of pebble's fursona sitting on a meter tall crumbling brick wall with moss on it. her prosthetic hooved legs are crossed, her long, bulky possum tail resting across them. her right handhoof is resting on her thigh while her left is supporting her to her side, she looks relaxed. she's looking away from the viewer, as if lost in thought. in the background is a city, visually far below her and far in the distance. to the left of the city is a highway leading to a bridge, a water tower and docks with shipping containers and a cargo ship. the sky is cloudy, the clouds lit by the setting sun. the mood of the drawing is peaceful

away from it all